A photographer who snapped what could be the world's only girl hunting with a golden eagle says watching her work was an amazing sight. Most children, Asher Svidensky. The Eagle Huntress movie reviews & Metacritic score: The Eagle Huntress follows Aisholpan, a 13-year-old girl, as she trains to become the first female in tw. THE EAGLE HUNTRESS follows Aisholpan, a 13-year-old girl, as she trains to become the first female in twelve generations of her Kazakh family to become an eagle. These images of Nurgaiv, by photographer Asher Svidensky, went viral in 2014. Now Nurgaiv is the star of a new documentary, The Eagle Huntress, which charts her. There was a film that needed to be made about her. Up until then, he had traveled the globe making branded content short documentaries. We would like to show you a description here but the site won’t allow us. The Eagle Award was a series of awards for comic book titles and creators. They were awarded by UK fans voting for work produced during the previous year. High resolution official theatrical movie poster for The Eagle Huntress (2016). Image dimensions: 1373 x 2048. Directed by Otto Bell. Starring Aisholpan Nurgaiv. Sleek, stunning, and stylish are three very good words to describe this Dark Huntress Women's Costume. It features an iconic touch of fantasy style, while possessing. Mongolia's Aisholpan Nurgaiv is the star of the inspiring TIFF documentary, and her winning ways go beyond hunting on horseback with the aid of an eagle. This Girls Hooded Huntress Costume is right on target for a Hunger Games costume! He tracked down Svidensky on Facebook, and they began to discuss the idea of a film. As they began talking, Svidensky's photos started going viral, appearing on sites like National Geographic and Huffington Post. While Svidensky was loyal, Bell knew he had to move quickly or risk losing his chance. So he took a leap of faith and took off for Mongolia with Svidensky and cameraman Chris Raymond. After arriving in the nation's capital, Ulaanbataar, the three boarded a twin prop plane headed towards . As Bell flew over the stunning, sparsely populated Mongolian landscape, he was struck by its otherworldly beauty. Just as he did when he first saw Svidensky's photograph of the girl on the mountain, he felt like he was looking through a window centuries into the past. Is that the kind of thing you'd like to film? He knew that the potential for an extremely dramatic scene had been dropped in his lap, but he hadn't come with enough equipment to shoot it properly. He didn't even have a soundman. He couldn't ask Aisholpan to redo her capture of the eagle. He stationed Raymond below so he could establish the vastness of the setting and show how high Aisholpan and Nurgaiv were. Bell attached the Go. The Eagle Huntress SundancePro to the inside of Aisholpan's sweater so he could get some shots from her point of view. Just as Aisholpan was clambering over the edge, Bell asked her to linger for a moment so that he and Svidensky could drop down to a lower ledge. We only had one bite of the cherry to get this. He knew that if he told Aisholpan's story merely as stripped- down cinema- verit. He had to capture the epic qualities of Mongolian landscape. Staffing up with a proper crew would not be possible. Even a soundman would be an extravagance, so Bell would have to carry on with his little Zoom recorder. Bell was not worried, because he knew he could achieve amazing results using inexpensive equipment. After all the years of paying crew members top rates on his shorts, he had some friends he could call on for favors. Most important was his long- time collaborator, director of photography Simon Niblett. Not only was Niblett willing to help Bell realize his dream, he packed a self- made drone and a crane along with his camera and suitcase. A self- described nerd, Niblett has been building his own film equipment for years, all designed to be packed into small cases. He was the first person in the UK to fly a RED ONE digital camera on one of his creations. Niblett also built a thirty- foot crane, based on the idea of a ship's mast, which they were able to put into a snowboarder's bag for the filming of THE EAGLE HUNTRESS. The drones were used not only for the soaring aerial photography, but also as virtual . The crane was used for any shots involving camera moves close to people or in situations where harsh weather made it impossible for the drones to fly. The filmmakers even made an . Bell and Niblett had to find the balance between making a film that was true to its subject and yet as majestic as a Hollywood blockbuster. Most of what they did was no different from what's done in nearly all documentaries. On occasion, their subjects were asked to perform actions more than once, but they were never asked to do things differently than they would otherwise. I don't really have that gene, and I get very nervous and angst- ridden about that when I know they've had a long day. They are very reserved and stoic people, so I had to respect that as I approached them. It took awhile, but over time she and I really built a friendship. Finding his interview subjects by literally going door to door, he asked them more general questions about eagle hunting before bringing the conversation around to female eagle hunters, eliciting the patronizing remarks heard in the film. Still, as Aisholpan's parents' support for her dream attests, there is a wide spectrum of Kazakh views. Aisholpan is a very brave girl. She rides horses, climbs rocks and hunts with eagles easily, like a boy. I am very proud of her. As scholar Dennis Keen has pointed out: . Men herd cattle, take care of finances, and have a greater luxury of recreation and hunting; women herd children, take care of guests, and when free, sew or shop. It's easy to see why the old eagle hunters would reflexively object to the idea of a girl hunting eagles, even though there is no set rule against it. Aisholpan's desire to become an eagle huntress was not a sudden impetuous request. But Aisholpan's win was particularly spectacular. A terrific time for an eagle to swoop down from a mountaintop and land on its master's arm is 3. In many cases the birds simply fly away. Aisholpan's eagle flew to her arm in five seconds, the fastest recorded time to date. After Aisholpan's triumph, Bell returned to Sagsai to find out how the eagle hunter elders would respond to her defeating so many of them. Unsurprisingly, they dismissed her victory, and maintained that for Aisholpan to prove that she is a real eagle huntress, she would have to successfully hunt a fox with her eagle. While Aisholpan's victory would provide a stirring conclusion for the movie, Bell knew that he had to come back and film the hunt. Unfortunately, he had run out of money. Although the hunt looks like it takes place during one day, it actually took 2. To make matters worse, Bell broke his arm shortly before he left and had to cope with the bitter cold while wearing a cast. We had to light fires underneath the engine block of our van in order to get it to turn over. Our hands stuck to the tripods and everything metal. We were looking for wild foxes in the middle of the tundra, and Aisholpan's eagle was sometimes too frozen to fly aggressively. This is why Aisholpan's desire and ability to do it is so extraordinary. That alone is not easy to do, but when you see Aisholpan riding her horse at full gallop, it's incredible. There are things that you see that are such feats of human endeavor that you can't even put words to them. I don't even know how many times I've watched the film and I cry every time. One of the things that had fascinated Bell the most about eagle hunters was their custom of giving their eagles back to nature after seven years. It was another one of the things that just fell into my lap on this film. She is not the only eagle huntress in Central Asia, and she is not the only girl in Central Asia or the world who has accomplished something amazing. It's simply that after 1. Aisholpan was the first girl to say . In her sunny countenance, strength and courage, Aisholpan is a glowing metaphor for a world that refuses to say no to the soaring dreams of little girls.
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